Writing by Kerry Ann Wiley

Month: March 2026

  • Half Like Home


    Something shifted before the wheels left the ground,
    barely noticeable,
    as if what was familiar had already begun to recede.

    What lay ahead had no clear shape yet,
    only the suggestion of places marked by time,
    where the past settles
    into worn stone
    and uneven, fractured lines.


    Half Like Home

    by Kerry A. Wiley

    Eleven hours beyond the familiar,
    where the known begins to fade,
    to a different life
    on the other side.

    Eleven hours on a restless wing,
    engines hum
    like a fragile dream.

    Leaving all that is understood
    for a distant, unfamiliar land.


    Cobblestone streets,
    and a trace of the past.
    Strangers and stories
    in every glance.

    Every mile
    pulls further away
    from yesterday.


    Cobblestone streets
    with a trace of the past,

    strangers and stories
    in passing glances.

    History carved
    into quiet ruin,

    footsteps of lives
    worn into the stone.

    No clear shape
    of what will stand

    on foreign soil
    in a distant land.


    Foreign voices
    drift through the air,

    meanings felt
    but not declared.

    Ancient walls
    in quiet decay,

    every turn,
    a step unknown.

    Every street
    feels half like home.


    Cobblestone streets,
    still holding the past,

    strangers and stories
    begin to settle.

    History pressed
    into weathered ruin,

    footsteps of lives
    worn into the stone.

    No clear shape
    of what will stand

    on foreign soil,
    less distant now.


    Narrow alleys
    under dim light,

    worn-down steps,
    uneven lines.

    Every wall
    holds what remains

    of passing time
    in fading names.


    Cobblestone streets
    and what remains of the past,

    strangers and stories
    no longer passing.

    History resting
    in broken ruin,

    footsteps of lives
    worn into the stone.

    Some faint shape
    of what might stand
    on foreign soil,

    that feels like home.


    What lies ahead never fully takes the shape it promises.
    It settles into fragments:
    worn paths,
    quiet decay,
    moments that feel both distant and familiar.

    The past does not remain behind;
    it lingers, altered by distance.


  • Twenty-Six


    Twenty-six hours in one place.
    A place meant for passing through.
    Lines hold.
    Bodies stay.
    Seats fill and empty, then fill again.
    No place to rest a head.
    Stone underfoot, worn and uneven.

    Plans fall off in succession,
    and the schedule unravels
    until it no longer holds.
    “Before” and “after” persist,
    but without force.
    They can’t divide the hours anymore.

    Everything runs together.
    What’s left is the stretch,
    the body within it,
    the surface beneath it,
    and the hours extending and passing, unchanged.


    Twenty-Six
    By: Kerry Ann Wiley

    Time stays.
    Past the point it should.

    Twenty-six hours.
    It doesn’t divide.

    Twenty-six hours.
    No before.
    No after.

    The chairs are hard.
    Made for short use.

    No pillow.
    Just a head
    with nowhere to rest.

    Stone under everything.
    Worn, not smooth.
    Cobblestone holding.

    Four cancellations.
    Plans removed.
    Spaces left.

    Before.
    After.
    Systems placed over it.
    Time divided after the fact.

    Things don’t line up.
    Voices land slightly off.

    A voice repeats
    before it finishes.

    Meaning takes longer.

    Silence feels different.
    Not wrong.

    Red and blue lights in view.
    No message.
    Just color.

    Waiting changes scale.
    Small things stand out
    longer than they should.

    The body notices first.
    Pressure remains.

    The mind keeps moving,
    but returns to the same place.

    Nothing settles.
    Not even briefly.

    The place for passing through
    remains as is.

    The lines are still set,
    but they no longer lead anywhere.

    They hold their positions
    without directing anyone.

    Bodies linger
    instead of moving on.

    Seats turn over,
    briefly taken
    and quickly abandoned.

    Announcements repeat,
    steady and unchanging.

    Nothing resets.

    The cancellations stand.
    Bodies keep contact
    with the chair.

    Time passes,
    but it goes nowhere.

    Still.

    Time remains.
    Unmoved.


    The place for passing through remains as is.
    The lines are still set, but they no longer lead anywhere.
    They hold their positions without directing anyone.
    Bodies linger instead of moving on.
    Seats turn over, briefly taken and quickly abandoned.
    Announcements repeat, steady and unchanging.
    Nothing resets.
    The cancellations stand.
    Bodies keep contact with the chair.

    Time passes, but it goes nowhere.

    Still.

    Time remains.
    Unmoved.